Horror Ambient

‘Phrenitis’ takes the listener to a twisted place where the walls between worlds are razed, a horror ambient album. The ruinous cities of wars long past, where time itself is but a prisoner and the warlords roaming their purgatorial halls are free to destroy the very foundations of the natural order.

‘Phrenitis’ is the 6th album of Atrium Carceri and is yet another step of the ever increasing Atrium Carceri wake up call. Simon Heath shows himself and the world, yet again, that no man is ever truly the master of their art unless they strive to evolve with it. The soundscapes he has created bypass the conscious mind, taking the listener deep into his pristine nightmare. The evolution of sound is spot-on and sets Atrium Carceri apart from other lazy dark ambient acts by being a truly diverse piece, replete with details upon details to make the illusion complete, and haunting compositions to make the mind yearn.

“You can’t really go wrong with Ambient, but those who extensively listen to the genre know what to look for as far as good and bad is concerned. One of the bands that really caught my attention recently was Sweden’s Atrium Carceri. The band’s name which means “Prison’s Hall” was created by Simon Heath; who has previously released 5 other albums including this album on dark ambient/industrial label Cold Meat Industry. Now on “Phrenitis” the band paints a horrifying picture that is almost disturbing but also has a sense of emotion. Relying on the use of keyboards, sound effects, samples, haunting rhythms and other instrumentation Heath paints a picture of haunting vision of the end times; this is best heard in the tracks “Surfacing”, “Hypnosis”, and “Eraser”. This particular album could be best described as an audio interpretation of the movies “Silent Hill” and “28 Days Later” with an undertone that is haunting and apocalyptic, yet beautiful and exquisite at the same time. Phrenitis speaks to the listener in a way that a lot of ambient releases don’t. I guess the union of horror and emotion really do work at times. On this particular release I must say it does. I recommend checking out Atrium’s previous releases as you’ll definitely see the progression from album to album. I end this review of the album with my own interpretation “As the world crumbles to the ground, my soul remains infinite”.”